被浇满了铅的画布，斑驳的裂缝，厚重的色彩肆意的颜料飞洒，基弗快73岁了，仍是一块坚硬的滚动着的石头！
基弗的作品是由记忆沉淀的想法驱动的，自由粒子停止移动以形成紧凑的团簇——在作品中，而时间则消磨在其中。要理解这一点，或许也许我们应该记住的是，艺术家出生于1945年。战争留下的毁灭痕迹影响着基弗的职业生涯。
基弗的日记中写道：“昨天倒了铅。在几幅你不想再看到的旧画作上。与以往不同，没有愤怒，没有绝望，你将这些画平放在地板上，然后将灼热的铅倒在上面。不再是由绝望驱使，因为你知道，总会有一个结果，失败也在计划之内。如果毁坏画作的行为是因为愤怒而非刻意计算而行，结果会有什么不同？铅流动方式会有什么不同？”
基弗最新作品
Geh·utete Landschaft, 2014-2017
Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 330 kgs
280x380x47 cm (110,24x149,61x18,5 in)
Snake in Paradise, 1991-2017
Oil, emulsion, acrylic, shellac, lead, metal, plaster and gold leaf on canvas on wood, 410 kg
190x280x42 cm (74,8x110,24x16,54 in)
∧Anselm Kiefer.
Snake in Paradise, 1991 – 2017.
Oil, emulsion, acrylic, shellac, lead, metal, plaster and gold leaf on canvas and wood.
190x280x42 cm.
Engel der Geschichte, 2005-2017
Oil, emulsion, acrylic, shellac, lead, metal, charcoal on canvas on wood, 1200 kgs
267x650x70 cm (105,12x255,91x27,56 in)
Kundry, 2015-2017
Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 625 kgs
280x380x10 cm (110,24x149,61x3,94 in)
Geist über den Wassern, 2015-2017
Oil, emulsion, acrylic, shellac, lead, metal and gold leaf on canvas on wood, 390 kgs
280x380x43 cm (110,24x149,61x16,93 in)
Klingsors Garten, 2015-2017
Oil, emulsion, acrylic, shellac, lead, gold leaf and metal on canvas on wood, 800 kgs
280x380x50 cm (110,24x149,61x19,69 in)
Sonnenfinsternis, 1994-2017
Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 400 kgs
190x380x30 cm (74,8x149,61x11,81 in)
Gehäutete Landschaft, 2015-2017
Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 280 kgs
190x330x55 cm (74,8x129,92x21,65 in)
∧Anselm Kiefer,
Geh·utete Landschaft, 2015-2017,
Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 280 kgs,
190x330x55 cm,
Für Andrea Emo, 2015-2017
Oil, emulsion, acrylic, shellac, lead, metal and clay on canvas on wood, 210 kgs
280x380x34 cm (110,24x149,61x13,39 in)
Am Grunde der Moldau, da wandern die Steine, 2008-2017
Oil, emulsion, acrylic, shellac, lead, metal and stone on canvas on wood, 420 kgs
190x380x47 cm (74,8x149,61x18,5 in)
B·se Blumen, 1987-2017
Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood, 110 kgs
190x140x9 cm (74,8x55,12x3,54 in)
Kranke Kunst, 1985-2017
Oil, emulsion, acrylic, shellac, lead, metal, gold leaf and sediments of electrolysis on canvas on wood, 300 kgs
280x190x40 cm (110,24x74,8x15,75 in)
Johannisnacht, 2016
Glass, metal, wood, burlap, clay, lead, asphalt, resin ferns and silver leaf
370x280x170 cm (145,67x110,24x66,93 in
Brünhildes Fels, 2010-2016
Glass, metal, lead, polystyrene, stones, asphalt, acrylic, cardboard and gold leaf
337x200x200 cm (132.68x78.74x78.64 in)
Die Argonauten, 2017
Glass, metal, wood, burlap, clay, lead, fabric and gold leaf
292x570x230 cm (114,96x224,41x90,55 in)
Die Argonauten, 2017 (detail)
Glass, metal, wood, burlap, clay, lead, fabric and gold leaf
292x570x230 cm (114,96x224,41x90,55 in)
局部细节
基弗：“这一厚厚的铅层不可能从画布上脱落，颜料未干之时，如伤口化脓从滚烫的铅中溢出。几年前所作的画上，田地的小麦秆在凝固的铅层中看起来就像被烧焦的残余物 – 所有这些让我想起了波德莱尔的诗歌。”
（编辑：李思）
